A fantastic science-fiction reimagining of the power of language: a literary analysis of "Amatka" by Karin tidbeck

Hello again, agents. And thank you for attending today's briefing, today we will be discussing "Amatka" a book by Karin Tidbeck. This story takes place in a sort of dystopian universe in which words have the power to manifest themselves as physical objects. In essence, the universe is entirely shaped by the power of spoken and written words. The old adage of the "pen being mightier than the sword" kept popping in and out of my head when I was reading this novel, it also reiterated the importance of having an understanding and appreciation for the power of words as they can be used for good or evil, they can help rebuild a society or break it down. This book has even caused me to revisit some of my favorite stories and analyze the power of their words. And I hope it does the same for you as well dear agents...

Karin Tidbeck has written a number of short-stories, her first English Language collection (firmly rooted in Weird Fiction), Jagannath, was nominated for the World Fantasy award and short-listed for the James Tiptree Junior award. It also received wide-spread critical acclaim. Amatka is her first novel length story.
Set in a world where the fabric of reality is shaped by language, Amatka tells the story of information assistant Vanja who is sent from her home city of Essre to the austere and wintry colony of Amatka to collect intelligence for the government. Vanja only intends a brief visit but while there falls in love with her housemate, Nina. People are acting oddly in this small town and are constantly monitored for signs of subversion. Then she stumbles upon a growing threat to the colony and a cover-up by its administration, a discovery that puts her at serious risk.
Amatka is quite different to anything I've read before. It leans heavily towards weird fiction and draws some parallels to China Meiville's work. It is however unique, with a strong and compelling voice, a dystopian fantasy where the nature of reality is shaped by the spoken and written word. The best way that objects are kept in working condition is to write the word on the object and to recite the word verbally. As the writing deteriorates so does the object, eventually if left un-described reverting to a pool of goo that can spread and damage other objects. The only exception to this rule appears to be items that are clearly trace-able to the world before, such as the paper used for labeling items, which is called "good paper".
As far as back-story is concerned we get small glimpses and nothing more. It's clear that most of these objects are left-over from a different time and world (perhaps our own). But it isn't clear how anything got to the present world where Amatka is based. This world is a grey one, devoid of sun or stars, a world where the population are strictly controlled. Failure to follow the rules leads to reconditioning.
This is very clever fiction, it asks some big questions about society and the repression of creativity to keep control, about social conditioning and the seeds of rebellion. The writing is clever, even more so when you realize the author has written the novel in both Swedish and English. The ending to the novel is superb, it's sudden and sharp and leaves more questions than it answers - it reminded me of the way Philip K Dick often ended his stories.
The bleak backdrop and simplistic tone also reminds me of PKD's writing, it belies the complexity of the story and the subtlety of its many messages. It's progressive, modern fiction at its very best. I loved the quirky weirdness, while the writing is hugely engaging.
A book to get lost in, highly recommended for lovers of modern fiction especially for those agents who truly understand and believe in the power of words to better humanity

Please remember agents that "reading is just recreation for intelligence"

·  Book title: Amatka

·  Author: Karin Tidbeck

·  Publisher: Vintage Books

·  ISBN: 978-1101973950

·  Published: June 2017

·  Pages: 320